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Epicenter Sound poses make speeches sound in public spaces: live acts in plazas, atriums, roofs, etc.., enabling new forms or structures to shape the soundscape. Events occur
operating a map of direct contact and a panel with programmed sequences that activate dozens of car horns and trumpets.
The case was filed in the V Sound Art Exhibition (Excerpts), curated by Taiyana Pimentel, in the Museo Ex Teresa Arte Actual in Mexico City. -----



Epicenter Sound is a Work That Seeks to make sound interventions (live acts) in public spaces, Enabling New Ways to shape the soundscape.
The events occurring through to printed circuit board with touch sensors and a panel with Programmed sequences, activate That Dozens of car horns and Trumpets. The performance WAS
Presented
in the V Sound Art Show fragments, curated by Taiyana Pimentel in the Ex Teresa Arte Actual in Mexico City Museum.

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Tire Epicenter Dorkbot

2007

tire is a sound sculpture made by a camera placed rubber tractor without air at the site. A presence sensor activates a valve that lets air through a duct, slowly inflating the tire. The limits are given the strength of the material and physical dimension of the exhibition space.
The tire obstructs the site and causes progressive stress levels of visitors. The final explosion of the tire occurs when it exceeds its capacity. -----



Tyre is a site-specific Project Developer with a tractor tire wheel, air pressure, a motion detector device and the physical dimensions of the space.

The project is a sound action related with the dimensions of the space. The tire wheel

is show in the space Without an electronic device using air to activate an air pressure system to inflate the tire slowly. The Limits Are the resistance of the material and the physical dimensions of the exhibition space. The inflation process obstructs the space and Generate a Psychological level of tension for the visitors. The action finishes with an explosion When the material Overloads STI capacity.






tire in the City Theatre in San Luis Potosi.




























Tire Neighbor Home in the historic center of Mexico City .

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CD. DE MEXICO: people doing strange things with electricity. Experimentation



Dorkbot Neighbor House. Presentation of experimental processes. Historic Centre of Mexico City.

Presentation of experimental processes. Mexico City.

"Dorkbot-cdmexico is an open space that promotes productions give context to Intermediate, so all work is presented as an open process for the understanding of production strategies. It is organized by a board of artists and curators presentations scheduled and discussion spaces of projects. "

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" Dorkbot-cdmexico is an open space to show Which Seeks Media Productions, under Every work is Presented as an open process for the technical understanding of production strategies. It is organized by a board of artist and curators to schedule presentations.
www.dorkbot.org

Audrey Hepburn Shower Curtain

sound / Experimental practice

2007



Practice
experimental technology of urban character: horns electric and air horns, power switches.
Experimental practice car with electric and air horns and power switches.

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Occupation / Ocupation

2007
Occupation
is an action arising from the occupation of space for vehicular traffic, using the body, understood as a carrier and noise generator. The idea is to walk instead of taking a car, taking advantage of traffic congestion in cities. To perform the action
developed a portable kit with a variety of 7 different horns from motor vehicles. A joystick on the arm to activate each of the devices.

This action has been executed in Mexico City and in Porto Alegre, Brazil, in the framework of the 7th. Mercosur Biennial 2009. -----



Ocupación is an action arising from the occupation of space for vehicular traffic, using the body, understood as a carrier and noise generator. The main idea is to walk instead of taking a car, taking into advantage of traffic congestion in cities.
To perform the action was developed a portable kit with a choice of 7 different car horns. A control on the arm is used to activate of the devices.

This action has been executed in the streets of Mexico City and Porto Alegre for the 7th Mercosul Biennal, 2009.

Video
registration of action in Porto Alegre, Brazil. 2009



Video
action record in Mexico City, 2007

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A working day / working day





2007

On November 8, 2006 in the Family Medicine Unit No. 2, Instituto Mexicano del Seguro Social (IMSS) in the City Mexico, ten medical assistants perform their daily working hours with a change in his working clothes, uniforms have been joined together forming a great costume that ties together the ten workers, trying to explore, first, the human capacity to create systems work and understanding under defined circumstances and the other pointing metaphorically the actual functioning of the state apparatus. -----



On November 8 of 2006, ten medical assistants from the Medical Unit number 2 of the Mexican Social Security Institute (IMSS) in Mexico City Went Through Their regular work shifts with a slight alteration in Their uniform. These Had Been uniforms sewn together to Become One That outfit large Kept Completely joined all the assistants. Not only this action Explore the Human Capacity to create work systems-Understanding and Its Circumstances under constraint-but Also, it metaphorically Pointed out the real Functioning of the State's apparatus.

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A Human Life / Human life















urban map. Urban Copper
map on bakelite. Printed circuit board.
90 x 60 cm.
2006

This is the mapping of my hometown paper in copper on bakelite, media used in the development of electronic circuits, which can be seen as analogies visual fabric of our cities.

Copper can draw the flow of electrical energy that powers a city, ie the representation of the city as a living entity.

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Pond / Pond

2006
tank with floating car handle burning oil. Tank
handle with floating car in used car oil.
2.5 meters in diameter.

A circular metal tank filled with petroleum permeates this space smell, looms in his neat black surface and the handle of a car door. The book emerges from a partnership of the city with the original concept of the garden, a part of nature streamlined, modified and controlled. The pond in the garden preserves the life cycle and ecosystem functioning. Water garden pond is what petrochemicals are to the city. -----



A circular metal tank is filled with used car oil and permeate the space with STI smell. The handle of a car door STI Appears in black glossy surface. The work stems from the association of the city with the original concept of garden s, which is a part of nature streamlined, modified and controlled. The pond in the garden Preserves the life cycle and Ecosystem Functioning in a similar Relationship of the city with Petrochemicals.

This work has Been Shown in the exhibition Memoirs of an Ex-pedestrian in the Haus der Kunst Gallery in Guadalajara, Mexico and in The impolitic, an exhibition curated by Laura Bardier in the Palazzo delle Arti Napoli, Italy.













































BIO:

Marcela Armas. Durango, Mexico, 1976.
lives and works in Mexico City.

's artwork Marcela Armas is related to urban situations, actions, sound, site specific projects, video and documents. His work has been directed to investigate the ability of different materials and technologies to produce poetry of social reflection, review and notes the transformation of the urban experience and the shaping of social space, from the use of technologies that dominate the city landscape and energy uses in different circumstances.
Graduate School of Fine Arts at the University of Guanajuato and the Faculty of Fine Arts in Valencia, Marcela Armas has also received support from the National Fund for Culture and Arts Program Support New Media Research Multimedia Center in 2006 and currently CENART Program-Arts-Current MACG Bancomer 2009. Led in cooperation with LIFE workshops Gilberto Esparza 10, Fundación Telefónica in Buenos Aires, Lima, Santiago de Chile and Mexico City.
has exhibited his work individually and collectively in Mexico, Spain, Canada, United States, Brazil, Colombia and Italy.


Marcela Armas. Born 1976, Durango, Mexico Site-specific

artist based in Mexico City. Her work

Situations urban stories, sound actions, site-specific projects, video and documents based in a reflection about the capital models.

BFA by the University of Guanajuato and MFA by the Politecnic University in Valencia, Spain. She has been suported by the Nacional Foundation for the Arts in Mexico for the development and research of New Media Projects. She also has been artist in Residence in the New Media Research Center in Mexico City.

She directed with Gilberto Esparza, experimental electronics workshops Fundación Telefónica (VIDA 10) in Perú, Argentina, Chile and Mexico.

Her work has been exhibited in Mexico, United States, Colombia, Spain, Brasil, Canada and Italy.