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Exhaust

Heater, insulation, steel wire, sensors, electrical. Heating

resistance, insulators, steel cord, sensors, electricity. 2009

Resistance is a facility that draws the line-Mexico border with a metal filament incandescent, called resistance heating.
The work is presented in physical space as a real limit voltage and filament overflowed, which establishes a metaphorical relationship with socio-political reality that exists on both sides of the border, representing it as a highly dangerous edge, as well as disruption and distortion of relations between two neighbors. ----



Resistance is a representation of the United States-Mexico border with a metal Executed Called incandescent filament resistance heating. The resistance Used in the work establishe a Metaphorical Relationship to the socio-political reality That Is Lived on Both Sides of the Border, by Representing it as an Overwhelming line filled with tension and Incandescence. Resistance heating and Consumer Demands Large amounts of energy from the electrical grid That feeds it. The work

Reflects the border as a Dangerous edge, as well as the rupture and distortion of relations Between Two Neighboring Nations.

Resistance Has Been in Distorsions exhibit: Contemporary Art from Mexico Media, an exhibition curated by Karla Jasso in the Holman Hall Art Gallery, University of New Jersey. Next February it Will Be Shown at the Museum of Mexico City.

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car running, vehicular bridge, gasoline, plastic container, gas combustion.

Automobiles, bridge, gasoline, plastic container, gas combustion. 2009

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Motorcycles

Stouffers Store Hours

resistance to two times

Urban intervention on, gasoline, plastic containers, gas combustion.

Motorcycles, gasoline, plastic container, gas combustion.
2009

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obstruction

Exhaust two days and Obstruction part of a project that examines the relationship between the use of fossil energy in shaping the urban space from the presence in the environment, waste combustion as a memory remain dispersed urban activity.
The project is based on the construction of a series of plastic packaging in different shapes and capacities. These wrappers act as containers of waste dumped by the exhaust gas of various internal combustion powered vehicles. The work marks the close and reciprocal relationship of these machines and the city, from its potential to visible pollutants, which occupy a place in space.

---- Exhaust and Obstruction

two-stroke engine with part of a project Are Intended to examine the energetics of Relationship of using fossil origin to conform urban space from the Presence of combustion residuals in the environment, and Which Are left disperse as a memory of the urban activity.
The project is based on a Variety of plastic wrappings and Capacities with Various forms. Such wraps act as containers of Gaseous residuals Expelled Through the exhaust of internal combustion vehicles Several That Are Running. The work outstands the close and Reciprocal Relationship Between Those machines and the city from Their Potential to visualize contaminants That Occupy a place on the space. These works have

Been Supported by BBVA-Bancomer and Carrillo Gil Museum, 2009 Current Through the Arts Program in Mexico City.

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Homo Orbital

printed circuits, LEDs.
Printed circuit boards, LEDs.
Project developed with the Programme Support and Media Production 2006-2007
* outstanding video

is a series of interventions in specific sites, formed by a set of panels sensitive to the presence that can be organized in multiple forms in space. These panels flashing lights can be played with the forms of all facing the same bodies. It is an investment stake in the shade. The shadow as a projection of light, contrary to the absence of light. Orbital

Homo is a kind of mirror that creates a human representation and points to one of the most archaic of contemplation. The essence of the work lies in the possibility of representation in the rise of the electronics, a technologically sophisticated way of handling the fire. Homo

Orbital expandable is a project that integrates the space that contains it. Dialogue with the movement, transit space, and recreates the experience del espejo sombra, mediante energía luminosa, como evidencia y metáfora de nosotros mismos.


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This is a serie of site specific interventions, shaped by a variable number of electronic panels, which are sensitive to the human presence. These panels can be organized in multiple ways in space. Homo Orbital is a kind of electronic mirror that creates a human representation and point out one of the most archaic phenomena of contemplation.. The work is based on the presence of the human shadow, but this shadow is a figure of light.
In other words, the essence of the work can be explained as one possibility of representation in the electronics boom, understood as a  technological and sophisticated way of handling fire.

This is an expandable work, since it's is Integrated Into Space, Establishing a dialogue with Movement and displacement, while the experience of it Creates mirror and shadow as Evidence and metaphor of ourselves.

Series urban morphologies

Kate Miller Heidke Sheet Music

Nights Incandescent / Incandescent nights

night.
25 small light boxes. Engraving on black acrylic, electricity.
10 x 10 x 10 cm. Nocturnal

2008
Morphologi
25 small urban light boxes. Engraving on acrylic, electric light. 2008